Sunday, February 24, 2013

Tumbu's Flight


Tumbu’s Flight

Itinerants ambling along with their luggage, looking at their watches.
Suddenly, they start sprinting towards their departure hall and their barding gate. They’re late!
Tumbu stares at the vicissitude of tourists,
One’s sitting on a chair, flipping through a manuscript.
Tumbu appears to have lost his sense of orientation – his bearings.
His eyes dart around, valiantly trying to catch the attention of a fellow traveller.
His eyes chance upon a couple. They’re hugged intimately in kisses.
Mr Boyfriend exchanges his ring and Ms Girlfriend willingly accepts.
Retentions of his own sweetheart erupt intensely in Tumbu’s mind.
The distress of losing this relationship, indeed, is one of a kind.
As he reflects, he glances at his watch. It’s time to board the gate.
The location of the F9 gate which he has no clue.
Kathmandu is his destination.
An upcoming reunion with his beloved family clan is a Christmas present well sent:
Uncle Rahop’s stories, inspiring him to live according to life’s philosophy
And his band includes musicians who always miss singing Tumbu’s favourite songs.
Sitting at his seat in the plane, Tumbu gradually succumbs into a deep sleep just as a pretty flight attendant jerks him awake – she wants to know his choice of meal.
Tumbu frowns in annoyance at the disturbance and stares into the flight attendant’s pretty, made-up eyes.
He looks at the menu and requests for the traditional Nepalese lunch.
The petite stewardess hands him his meal and drink.
Tumbu’s food waits for him on the tray as he (once again) falls into a deep slumber of sweet dreams.
Tumbu jolts awake at the pilot’s announcement of landing.
He glances at his lunch forlornly, gobbling down the pieces of flesh with sips of Orange Juice in between each mouthful of meat that’s not so lean.
He looks at his watch, again, amazed at how fast he’s managed to eat!
Just then, the view of Nepal emerges below him as he’s gazing out the window.
His fellow travellers peer curiously at the aerial view of mountains and volcanoes.
The plane lands with her wheels touching the runway ground, so cold beneath.
He is home.
Once back in Nepal, life is brought back into Tumbu’s isolated soul.
Tumbu’s home lies at the outskirts of the Himalayas, somewhere near Mount Everest.
But the treacherous journey back brings Tumbu some altitude sickness problems – ones that he’s willing to endure.
Finally, a reunion with his family, cousins, relatives, aunties, uncles and friends; all whom he’s constantly loved and never once forgotten.
Tumbu is returning Home to thank them all, for their support was once his major concern.
This prose poem was published in the NTU Epiphany February 2013 Online Magazine.
Here's the link to read other poems and short stories in the issue: 2013 February Epiphany Online Magazine
Other links to read poems include: 1) Poems Alive
                                                         2) Famous Poems
Other resources for writing poems 
Basically, I have started inculcating this habit of writing 1 or more poems and continuing scribbling paragraphs for a chapter in my novel project daily. Writing aids one to think clearly and to function more effectively when communicating with others. Just by doing this for four days, I have been more articulate and be more fluent when expressing my ideas with others. All of you should try to keep a diary to write about things that happen to you and what action steps you will take to improve the situation. For all other avid writers, you can write poems or short stories.


Thursday, January 3, 2013

Poem


Tumbu's Journey

Itinerants ambled with their luggage, looked at their watches;
They started sprinting into the departure hall and their boarding gates since they arrived late. Tumbu stared at a viscittude of tourists sitting on the chair flipping one of their manuscript’s pages.

Tumbu appears to have lost orientation of his bearings.
His eyes darted to catch the attention of one of the travellers.
A couple hugged intimately in kisses. Mr Boyfriend exchanges his ring.
Miss Girlfriend willing accepts his proposal after three years.

Retentions of his sweetheart erupted intensely in his mind.
The distress of losing this relationship was really one of a kind.
As he reflected so, he checked the watch time, it was time to
Board the gate. The location of F9 gate, he totally had no clue.

Kathmandu was his destination. Reunion with his family clan
Will be a Christmas present well sent. Uncle Rahop’s story
Sharing inspires him in living life’s philosophy. His band
included musicians who always missed singing his favourite songs.

Sitting on his plane seat, Tumbu gradually falls into a deep sleep.
A pretty flight attendant asks Tumbu the choice of his meal.
Tumbu is annoyed at the sudden disturbance of his sweet sleep.
He stares into the flight attendant’s pretty make up face so pale.

Looking at the flight on board meal menu, Tumbu requests for
A traditional Nepalese Lunch. The petite stewardess hands him
The meal with his requested drink. Tumbu’s food is left on the
Handrest while he falls into a deep slumber of sweet dreams.

Tumbu is awakened by the pilot’s announcement of landing,
He glances at his lunch forlornly, gobbling the pieces of meat
Repeatedly. A cup of orange juice follows after meat so lean.
He looks at his watch, just so amazed at how fast he managed to eat.

The view of Nepal emerges from the windows of the planes below.
Passengers peer curiously at the aerial view of mountains and volcanoes.
The plane lands with her wheels touching the runway ground so cold.
Back Home at Nepal has brought life back to Tumbu’s isolated soul.

Tumbu’s home lies at the outskirts of the Himalayas near Mount Everest,
The treacherous journey back home presented altitude sickness problems.
It is finally a reunion with cousins and relatives he constantly loved.
Returning Home to thank his relatives for their support was his major concern.

Tuesday, October 30, 2012

Italian Film Festival

Italian Film Festival 2012 is held and screened in Grand Cathay in Singapore from 24-31st October 2012. Here below shows one of the interviews of the film makers of the only film I watched. It is profughi di Cinecittà ( Refugees of Cinecitta) depicting and explaining Italy Cinema and how it was destroyed by World War II. Cinecitta became a refugee compound consisting of the Italian side and the International side. The internation side had more food supplies and rations.

Marco Bertozzi and Noa Steimatsky Discuss the Film "The Refugees of Cinecittà" from Casa Italiana Zerilli-Marimò on Vimeo.

Italian Film Festival 2012


Monday, October 29, 2012

Freedom Film Festival



This is one of the most thought provoking and alluring film festivals I have attended. It focuses on the human rights issues around the world. I watched one about Malaysian Politics, another about Burma's Military Regime and yet one more about the Bilin conflict between Palestine and Israel at the Gaza Strip. Such issues of human rights demonstrate how disparate countries are in facing the treatment of human rights.



Freedom Film Festival

Tuesday, July 24, 2012

Song Composition Technique


Songwriting workshop with Larry Dvoskin

In making a song, 4 elements are present. They are lyrics, harmony, melody and structure.
Lyrics are the words to a song and are usually sung with a melody except for rap or instrumental songs. 


How to Write a Song #3 : How to write Lyrics 

Melody is the tune or the main theme of a song. It is often the result of harmony of chords progression. Depending on the genre and the purpose of writing the song, each melody is played on a different instrument. For example, to create a romantic song with ambience, it is good to use a saxophone.



Melody Composition: Music VLog


Harmony is the progression of chords in the music and it gives the melody strength and context. Structure is how the sections of a song are arranged around each other. It involves the repetition of identical motifs or music sequence in a verse and chorus section to create a consistent and a dynamic song.



Basic chord's theory for Harmony


 Start Writing your songs now.



Migration by TJ Morgan


Sunday, July 22, 2012

Black & White Animation

I dont' know much about animation history. All I know is I am in love with black and white classic films. Animation makes it better and exciting to watch. Animation is the Rapid sequence of images to create an illusion of movement. This is the definition of Animation based on WIKEPEDIA.

Here is a 1961 Chinese animation clip or a movie.. It is called 铁扇公主( or known as iron fan princess). This story is done in 1941 by China United Press or China United Press and was one of Asia's first long feature animation film. This film requires 100 or more people to work and has 20,000 drafts. Usage of papers for this film has been at least more than 400. Shanghai Financial Company has sponsored for this clip. Bai Hong (白虹). Yan Yue Ling(严月玲), Jiang Ming(姜明),Han Lan Gen(韩兰根),Yin Xiu Chen(殷秀岑).



Here's another black and white clip. The name of this animation clip is Samoyed Boy. It is created in 1928 and is directed by V. and Z. Brumberg, N.Khodataev, O.Khodataeva. It is done at 3rd Factory of Sovkinko and is made as a Silent Film. Iris Margolina created this Soviet Animation and is the first film for children. It was done in the tradition of the primitive painting of USSR's Northern peoples (Chuckcha and Eskimos). It was also the first Soviet film based on culture of the Northern people.










References
1) Wikepedia Animation Page
http://en.wikipedia.org/wiki/Animation
2) 铁扇公主影片
http://www.youtube.com/watch?v=xPrUQqSRyEU
3) Soviet Film: Samoyed Boy Film Animation clip
http://www.youtube.com/watch?v=Ui3aVDbigPA&feature=relmfu




Thursday, July 19, 2012

IACS 2013 (NUS Kent Ridge)



http://culturalstudies.asia/call-for-panels-iacs-2013/


Inter Asia Cultural Studies Society (Singapore) is calling for pannels to contribute papers and essays about the theme: Beyond the cultural industry. This IACS 2013 conference will be held in Singapore National University of Singapore , Kent Ridge Campus. Submission deadline is 1st December 2012. Announcement of accepted pannels is 1st January 2013. Email iacs.conference@gmail.com if you have any questions or for submission of panel's papers.


The general theme of the 2013 conference is “Beyond the Culture Industry”. In the past two decades, the cultural sphere of rising Asian economies has increasingly shifted from being marked by the politics of authoritarianism and democratization to being pervaded by the market logic of deepening capitalism. The development of Asian culture industries has come under increasing scrutiny in cultural studies. However, we note that the emphases have been on the cultural policy of developmental states and the production of the cultural economy. For the 2013 conference, we seek to move beyond these emphases and inquire into the politics of culture that accompanies the neoliberalization of the cultural sphere.
We welcome panel proposals of 3-4 papers based on the general theme and other important topics in inter-Asia cultural studies today. Panels proposed will be listed on the Submitted Panels page on the IACS Society website. We will only accept panel proposals, not individual paper proposals. To facilitate panel construction and encourage interaction between scholars, we will be providing the CFP Bulletin Board for prospective panel organizers to put up their panel ideas and contact email — interested presenters are encouraged to either look for a panel to join or to put up a panel idea on the Bulletin Board. The call is now open — please submit your panel proposal using our online form. 
Accommodation information, registration fees schedule, and other details about the conference will be updated here when they are confirmed.
For enquiries, please email the IACS Society Conference Secretary, Daniel Goh, iacs.conference@gmail.com
For me, I will probably start writing a paper and form a pannel with some other friends.

Saturday, July 7, 2012

ASEAC 7th Conference 2012


Here's a nice starter video before we go to the main subject


Film Archive conference at National Museum of Singapore helped me understand Southeast Asian Cinema better. The 7th Biannual Association of SouthEast Cinema Film Archiving Conference: The Politics, Practices and Poetics of the Archives run from 19 June 2012- 22nd June 2012.


On 19 June 2012, Professor Gaik Khoo and Associate Professor Adam Knee gave opening remarks and orientation for presenters. Panel 1's topic is Restoration and Lost Films. The Chair is Tan Bee Thiam, Ekky Imanjaya,Dafna Ruppin and Davidze Pozzi. Tan Bee Thiam is the chair and he regulates the discussion and directs or makes questions clearer to speakers as asked by the audience. Ekky Imanjaya shares about the topic: The Importance, The Process and the Obstacles. Dafna Ruppin presented about Archival Metadata and Cultural Heritage: Remembering the Lost Films of Colonial Indonesia. Davidze Pozzi shares his topic is about Film Restoration & Conservatory Laboratory. He also speaks about his case study of restoring 1953 Indonesian Film Lewat Tjam Malam. It is then followed by a 101 minutes archival film screening of black and white film LEWAT DJAM MALAM (After the Curfew) which was filmed at Bandung. This film is directed by Umar Ismail and is done by Perifin Films.


Associate Professor Adam Knee and Lee Chor Lin, National Museum of Singapore Director welcomes the participants of the conference. The opening night address done by Thomas Doherty and he shares about Adventures in the Film Archives. It is basically Thomas' experiences working in the film archives sourcing for his projects as a film studies student.


On 20th June 2012, Panel 2: Cambodia and the Archive is shared.Jack Yeager is the moderator. Jack Yeager from Lousiana State University shares the Fragments in the Archive: Images of the Khmer Rogue Years: Fragments, Documentary and the Public Access Archive: Bophana Archives in Phnomh Penh, Cambodia. Mr Cheap Sopheap shares a Unique Resource: The Bophana Archive; Archive;Fragments, Documentary and the Public Access Archive: Bophana Archives in Phonmh Penh, Cambodia. Patrick Campos shared about Narrating the Archives: Three Case studies from Southeast Asia - The case studies are Cambodia's Bophana and the narrativzing of archival motivation, Vietnam and 2 Archival Projects ( VCA and VFI support) and the Society of Filipino Archivists for Film(SOFIA) and archival detective narrative as politics. Eric Galmard from University of Strasbourg shared about the poetics of the archive in Bophana and S21: from rhetorical usage to body- archives. 


Following Pannel 2 is the Screening of Bophana: A Cambodia Tragedy which has a screen running time of 60 minutes. This film is introduced by Eric Galmard. National Museum of Singapore Film and Wayang Gallery Tour was really exciting and enjoyable with overseas delegates as they enjoy looking at Singaporean Historical Films Posters and Snippets of Singaporean Historical Black and White Films. 


Pannel 3 was next. The topic of Pannel 3 was Film as Archives. Liew Khai Khiun was the moderator. Rolando Tolentino's topic was Film as Archives: Film Representations and National Memory. He talks about Lino Brocka's Maynila sa Kuko ng Liwanag (Manila in the Claws of Neon, 1975) and Mes De Guzman's Ang Daan Patungong Kalimugtong ( The Road to Kalimugtong, 2005). Fiona Lee presented about the Spectral Communists. This is about Amir Muhammad's The Last Communist/Lelaki Komunis Terakhir (2006) which offers a counter narrative to the official state history of the Malayan Emergency (1948-1960). Gerhard Jaiser shares about Thai Cinema- An Archive of Popular Music. He shares about Introduction of Sound film in Thailand in the early 1930s. He gave Luk Krung style. Sawan Mued (Dark Heaven) from 1958 by Director Rattana Pestonji is a good example. 1965 Film Ngoen, Ngoen, Ngoen (Money, Money, Money) is also featured as having one of the most popular representative popular music but also show their role in society. Monrak Luk Thung ( Magic Spell of Luk Thung) shapes the image of Luk Thung acceptable to city audiences to the present day. Katarzyna Ancuta shares about Horror Film as an Archive: Thai "Real Life" Horror Films, History and Collective Trauma. She shares about Meat Grinder and Tamasaat University's ghost stories with some thai delegates who graduated from Tamasaat University sharing a ghost story of the red elevator. 


During Plenary Talk, Mariam Lam introduces Bliss Cua. Bliss Cua shares about the Archival Fragility and Anarchival Temporalities in Philippines Cinema. Following that, a Screening of Archival Showcase from the Bangkok Experimental Film Festival was screened and is introduced by Karen Chan. 


On 21 June 2012, Pannel 4: Singapore Nostalgia is shared by 3 different speakers. Ben Slater is the moderator. Lai Chee Kien shares about Archiving Singapore and Malaya in Hollywood Movies, 1945-1978. Some examples of such films are Road to Singapore(1940), King Kong(1933), Saint Jack (1978), 7th Dawn(MGM, 1964). Gaik Cheng shares about the topic of Diminishing Memories and Old Places: Singapore Films and the work of Archiving Landscape. Elmo Gonzaga shares about Cosmopolitan Nostalgia: Cinematic Paradigms of Historical Memory in the Global city. He shares about Kevin Tong's 2001, Its a Great Great World, Tan Pin Pin's Invisible City and Jean-Luc Godard's Histoire(s) du Cinema.


Pannel 5: Sinematek carries on. Zhang Wenjie is the moderator. David Hanan discusses about Sinematek Indonesia and the Preservation of Feature Films in Indonesia since 1975: Achievements and Limitations( A personal view). Berthy Ibrahim shared about Sinematek Indonesia: The Current State of the Sinematek Indonesia. Riri  Riza shares about Sinematek Indonesia and the Indonesian Film History. Lisbona Rahman shares about The Digital Compromise: Programming Sinematek's Indonesia's Pirated VCD collection.


Discusssion and screenings in memory of Misbach and Alexis with Lisabona Rahman, Ben Slater and Clodualdo Del Mundo: Misbach: Di Balik Cahaya Gemerlap, Butterflies have no memories and Superfan.
Pannel 6: Archive Case Studies proceeds after that. Thomas Doherty is the chair. Katrina Tan shares Tioseco Bohnic Film Archive: A case study. Galen Yeo/Olga Polunin shares about Ivan Polunin Archives: The Ivan Polunin Archives - Singapore and Malaysia Collection. Olga Polunin is Ivan Polunin's daughter. Ainurrahmah/Satrya Wibawa/Dina Septianai shares about Indonesian Youth & Digital Film Archive: An Implicit Piracy in Archiving Data. Screening and discussion of Producer/Director Davy Chou's Golden Slumbers. Golden Slumbers shows the 1970s Cambodia Film Heritage and interviews done with the oldest generation of film makers. These Cambodian Film Makers share how some of the Khmer Films are lost due to Khmer Rogue (1975-1978) This is really tragic as it resulted in a loss of numerous valuable and precious film titles done by renowned Cambodian Directors. Golden Slumbers has a running time of 96 minute. Adam Knee introduces about Davy Chou's Golden Slumbers Fact Film.


On 22nd June 2012( last day of conference), Panel 7: Religion and Film begins. Jasmine Trice is the chair. Eric Sasono shares about Tauhid and Ideological Contestation in 1960s in Indonesia. Alicia Izharuddin shares about Popular Memory of Progressive Islam in Hanung Bramantyo's Sang Pencerah. Arnika Fuhrmann shares about Under Permanent Exception: Thai Buddhist- Muslim Coexistent, Interreligious Intimacies and the Filmic Archive. Plenary panel: Contemporary Challenges for the Archive was rather interesting and comprises of 5 speakers and a chair. The chair is Bliss Cua. The speakers are Clodualdo Del Mundo, Chalida Uabumrungjit, Ray Edmonson, Hafiz and Sopheap Chea. They take turns sharing their views.


Pannel 8: Film and Cultural Memory is the wrap up pannel and marks the finale of all pannel sessions. Mariam Lam is the chair. Dag Yngvesson shares about the Unconscious is Structured like an Epic:Indonesian Cinema, Wayang Kulit, and the Politics of Aesthetic Form as Cultural Memory. Tito Imanda/Adilla Amelia shares about the Early Films of Tjipto Boedojo: a Traditional Wayang Group in Merapi Highland, Central Java. Erik Bordeleau shares about "Looking Back is the Art of the future":On Apitchatpong Weerasethakul(Thai Director)'s Archaelogical Filmic Gesture. Evyn Espiritu ends with "May Bay": Oral History, Film and the Transgenerational Transmission of Stories. May Bay is vietnamese for airplanes. Site Visits for 2 Groups. Group A went to the National Archives of Singapore and the Cathay. Group B went to the Cathay and the Singapore Art Museum.


It was a very memorable conference for participants as well as speakers and chairs. Many new friendships were forged and film information was exchanged. I am looking forward to 2014 Pnomh Penh 8th ASEAC Film Conference on GENRES.


Monday, May 21, 2012

Basic Storyboard Design Part 1



To all Aspiring Film directors/scriptwriters/Storyboard Artists/ Actors/Actresses/Producers etc. Here's something for you:)

Storyboard design is a wonderful module. Firstly, it deals with the art of drawing and story crafting to life in television dramas or films. Generating Ideas is important as it equips one with the skills of thinking on the spot and giving alternatives. This allow one to be innovative and to have plenty solutions to tackle a problem in a practical sense. Random ideas when added or used in a story produces different storylines and it affects the climax curve of the story differently. The " beats"( moods) of the story will also vary based on the circumstance characters are in. Storytelling is the art of telling a story with these different elements: Introduction, Struggle, Conflict, Resolution/Conclusion. Introduction begins the story and gives the readers or veiwers of the film to understand the overview or synopsis of the story. Usually the introduction gives ideas about the initial part of the story. The struggle is what the persona or the main character tries to achieve. Conflict is the problem or obstacle introduced that delays the progress of the main character. This usually comes in the form of villains or crisis. Conflicts can be tangible or intangible. Script writing format is usually in the form of pannels which comes after a synopsis about a scene. The pannels consist of the setting(Interior/Exterior), Action/Dialogue, Props/Cast/Sounds FX. After that, the camera shots play a important role too. Examples of shots include Extreme Close Up, Close Up, Mid Shots, Over the Shouler Shot, Long Shot,Worm's Eye View and Bird's Eye View. Shooting techniques include Canting Shots and Panning (right to left) Shot, Dolly & Trucking( Shots).



In Visual Imagery, Force Fitting, Distortion, Combination and Metaphor exists in which different objects can be used to create a new idea or object. Force Fitting is taking parts from different object/terms and “forcing” it on to something completely different to create a new object. Distortion is changing the way an object / term originally look / meant through pronounciations, word form, different meanings of the word etc. The list goes on. Metaphors are used in written works to compare different things. Its commonly found in poetry and prose. Camera Composition plays a role in storyboard design.


In Camera Composition, the focal point is the spot where your eyes are drawn to when you look at a image. The focal point is usually found in the clearer element. A scene has foreground, middleground and background. Some techniques include leading the eye, framing, rule of thirds, 180 degree rule. Comics are a common form of visual art where heroes and characters portrays drama and excitement. This is a result of dynamic angle of the characters are drawn to create the emotions and nature of the characters. Perspective drawing helps to create 1 Dimensional, 2 Dimensional and 3 Dimensional drawings. Vanishing points must be correct and eye level is determined in perspective drawing. Human Anatomy is important when drawing male and female figures in storyboard pannels. Knowing the muscles and the body parts of the male and female gender gives the storyboard artist a edge as he helps to make the character animated. Gestural Drawing shows the actions and body language the character shows. First draw the rough sketch. Next, Draw the muscles and the features. Finalise with the final curves and lines to draw the full figure to finalise the picture.  Emotions is also important to convey nature of character. Eyes and Mouth speak the most about a person's emotions.








Thursday, April 26, 2012

Final Year Project Many university students know the hassle.and chore of doing research for their final Year project. As a third year student, I have to work on designing a distillation plant. This is when Process Flow Diagrams, Process & Instrumentation diagrams, Equipment Specification Sheets are important. Much research has to be done to understand a distillation system and how it works before we can draw out the flow diagram of the distillation column system. I am still in the progress of doing the project. Its only the 2nd week and all of us are preparing and giving ourselves deadlines for each submission of component of project to our lecturer.

Monday, April 23, 2012

COMPASS Song Writing Masterclass 8

This Song writing masterclass shares with aspiring song writers tips in writing and improving their songs showing song writers how their new songs can improve for better quality. Personally, this is my first experience for going to any song writing lessons. I have learnt a lot and am inspired to start writing a song. What will be a challenge for me now will be Chord Progression and Relative Pitch.
The masterclass was held on a sunday afternoon at Esplanade Library in Singapore. I am creating my song with lyrics and presenting it to the next masterclass.

Basic Storyboard Design

Story is about a sequence of events. Before one can write a story, one must craft a big picture or overview of how the story is going to be. Circular Viewpoint of characters help. For any character, ask the following 3 questions. 1) Who is this Person. 2) What is he/she doing? 3) What is he/she thinking? Basically, Storyboards are boxes drawn that shows each scene broken up into different frames which tells the story. By making use of the camera directions and movements of the character, one can draw the storyboard effectively. One can also adjust the position of a person or object in a frame to give it a different effect. It was a great and enjoyable lesson as we learnt the 4 main components of a Story 1) Introduction 2) Struggle 3) Conflict 4) Climax 5) Conculsion/Twist Genres of diffeernt films are important in deciding the story line for each type of film. If you have any questions, you could ask.

Wednesday, April 18, 2012

Final Year in School

It has been a great Holiday break.  As always, the first week of school is always more relaxed with less amount of workload. This is rather an interesting semester as I have been doing my daily studying for this week so far. Running is also more regular for me as I train for my fitness test that I would be taking next year before enlisting into National Service in Singapore.

Thursday, December 22, 2011

Logos Hope(OM Ships)

Here are the photos I have taken on board Logos Hope when it was docked in Singapore on 22nd December 2011 at harboufront(Vivo City)

If you want more information about the boat:
1) http://www.omships.org/












































Monday, December 19, 2011

Character Bible

Character Bible gives a summary about the characteristics and personalities of each role in a script and helps the actors and actresses to better express themselves as that character as they will understand how they are like. Here is a step by step tutorial of doing character bibles.

1) Have an idea of where the story is going. Does it take place in hours or over years? This will affects the type of people your characters will be.

2) Decide on the desired type of characters in your script. Be thorough abut this decision. Know everything from age to race to religious affliation, family background and everything in between.

3) Research your characters. Once you know who they are and where they are going, give them realistic representations in your script.

4) Know about your characters and that includes their family. Be clear on where your character fits into their family and the relationship they have with them

5) Include a basic summary of each character you write. The basic summary will include age, weight, height, gender, schooling, occupation, where they are originally from and where they currently live.

Write a detailed biography of each character using the information you've accumulated in Steps 1 - 5.


To help you, here's extra resources on the web to help you:
1) http://aldric.wrytestuff.com/swa368283.htm
2) http://www.ehow.com/how_2049246_write-character-bible.html

Sunday, December 18, 2011

Fairy Tales

Fairy Tales Session at Esplanade Library (Singapore) on 18th December 2011


I was at Fairy Tales sharing session by Kelvin Sng(director) and other lead actors -
Siona Wu Murphy, Royston Ong and Yogendra Santhiran.






Fairy Tales












You guys should totally purchase this movie and share with teenagers and other friends to benefit them so they will make the right decisions in life. Its useful for teachers to show this to students in class so they will understand about the decisions they make in life do have consequences and they will make the right decisions.


Here's the making of the movie



Here's the trailer of the movie.


Here's the official website
: http://fairytales.ksp.sg/

Get your copy and impact lives now!

Sicko (2007)

Sicko (2007) Directed by Michael Moore
I watched this movie in Esplanade Library in Singapore.
Here's the trailer.



Here's a poster of the movie.




Sicko is a 2007 documentary film directed by American filmmaker Michael Moore. The film investigates health care in the United States, focusing on its health insurance and the pharmaceutical industry. The movie compares the for-profit, non-universal U.S. system with the non-profit universal health care systems of Canada, the United Kingdom, France and Cuba.

Almost fifty million Americans are uninsured while the remainder, who are covered, are often victims of insurance company fraud and red tape. Interviews are conducted with people who thought they had adequate coverage but were denied care. Former employees of insurance companies describe cost-cutting initiatives that give bonuses to insurance company physicians and others to find reasons for the company to avoid meeting the cost of medically necessary treatments for policy holders, and thus increase company profitability.

In Canada, Moore describes the case of Tommy Douglas, who was voted the greatest Canadian in 2004 for his contributions to the Canadian health system. Moore also interviews a microsurgeon and people waiting in the emergency room of a Canadian public hospital.

Against the backdrop of the history of the American health care debate, opponents of universal health care are set in the context of 1950s-style anti-communist propaganda. A 1960s record distributed by the American Medical Association, narrated by Ronald Reagan, warns that universal health care could lead to lost freedoms and socialism. In response, Moore shows that socialized public services like police, fire service, the United States Postal Service, public education and community libraries have not led to communism in the United States.

The origins of the Health Maintenance Organization Act of 1973 are presented using a taped conversation between John Ehrlichman and President Richard Nixon on February 17, 1971; Ehrlichman is heard telling Nixon that "...the less care they give them, the more money they make", a plan that Nixon remarked "fine" and "not bad". This led to the expansion of the modern HMO-based health care system. Connections are highlighted between Pharmaceutical Research and Manufacturers of America (PhRMA), the lobbying arm of the largest drug companies in the United States, lobbying groups in Washington D.C., and the Congress. Hillary Clinton, a champion of the Clinton health care plan, is shown as a crusader for change, appointed to reform the health care system in the United States by her husband, newly elected President Bill Clinton. Her efforts are met with heavy-handed criticisms by Republicans on Capitol Hill, and right-wing media throughout the country, who characterize her plan as the harbinger of socialism. When she is defeated, her punishment is to "never speak of it again while in the White House." Seven years later, her silence is rewarded, as she becomes a Senator for the State of New York, a victory made possible in part by money from the health care industry; she is second only to Rick Santorum as the Senate's highest recipient of health care industry campaign donations.
File:Sicko British National Health Service.jpg
Michael Moore interviews a general practitioner from the NHS.[6]

In the United Kingdom, a country whose National Health Service is a comprehensive publicly funded health care system, Moore interviews patients and inquires about in-hospital expenses incurred by patients, only to be told that there are no out-of-pocket payments. Moore visits a typical UK pharmacy, where pharmaceuticals are free of charge for persons under 16 or over 60, and subsidized in most cases for everyone else; only a fixed amount of £6.65 (about $10) per item on a prescription was charged, irrespective of cost to the NHS. Further, NHS hospitals employ a cashier, part of whose job is to reimburse low-income patients for their out-of-pocket travel costs to the hospital. Interviews include an NHS general practitioner, an American woman residing in London, and Tony Benn.

In France, Moore visits a hospital and interviews the head of obstetrics and gynaecology and a group of American expatriates. Moore rides with the "SOS Médecins", a 24-hour French medical service that provides house calls by physicians.[7] Moore discovers that the French government provides many social services, such as health care, public education (including universities), vacation and day care for $1 an hour and neonatal support that includes cooking, cleaning, and laundry services for new mothers.

Returning to the United States, interviews disclose that 9/11 rescue workers who volunteered after the September 11, 2001 attacks were denied government funds to care for physical and psychological maladies they subsequently developed, including respiratory disease and PTSD-induced bruxism. Unable to receive and afford medical care in the U.S., the 9/11 rescue workers, as well as all of Moore's friends in the film needing medical attention, appear to sail from Miami to Cuba on three speedboats in order to obtain free medical care provided for the enemy combatants detained at the U.S. Guantanamo Bay detainment camp. The group arrives at the entrance channel to "Gitmo" and Moore uses a megaphone to request access, pleading for the 9/11 victims to receive treatment that is on par with the medical attention the "evildoers" are receiving. The attempt ceases when a siren is blown from the base, and the group moves on to Havana, where they purchase inexpensive medicine and receive free medical treatment.[8] Providing only their names and birth dates, the volunteers are hospitalized and receive medical attention. Before they leave, the 9/11 rescue workers are honored by a local Havana fire station.

Finally, Moore addresses the audience, emphasizing that people should be "taking care of each other, no matter the differences". To demonstrate his personal commitment to this theme, Moore decides to help one of his biggest critics, Jim Kenefick, webmaster of MooreWatch.com. According to a blog posting, Kenefick feared he may have to shut down his anti-Moore website because he needed US $12,000 to cover the costs of medical treatment for his sick wife. Not wanting the U.S. health care system to trump Kenefick's ability to express his opinion, Moore sends Kenefick the money "anonymously".

Sicko was nominated for an Academy Award for Documentary Feature.[23] It was also commended in the Australian Film Critics Association 2007 Film Award for Best Documentary.Sicko also won an award in the Cannes Film Festival.

For more information you can visit these website:

1) http://en.wikipedia.org/wiki/Sicko
2) http://sickothemovie.com/

Friday, December 16, 2011

Sinema Showoff! SwanSong Curator's Picks Season 11

Today is the last film screening shown in Sinema Old School at Mount Sophie. Four local Singaporean directors films are shown
1) Hentak Kaki (Directed by James Khoo)
- Best Film Award (Singapore International Film Festival 2011)
2) The Reunion Dinner (Directed by Anthony Chen)
- Maskara Shorties Film Festival 2011 Kuala Lumpur, Malaysia
- Singapore Short Film Festival (Perth) 2011, Australia
- Curator Picks, Sinema Showoff! The Fortune Cookie Collection 2011
3) Labour Day (Directed by He Shuming)
- Official Selection Singapore Short Film Awards 2011
- Official Selection, Singapore Short Film Festival (Perth) 2011
- Curator 's Pick, Sinema Showoff! My Singapore 2011
4) The Gang ( Directed by Kelvin Sng)
1) Hentak Kaki



3) Labour Day

Labor Day from Shuming He on Vimeo.






Design of Wall for the Last Film Screening Session For Sinema @ Old School



Scene From Hentak Kaki while showing in Sinema Auditorium



Me and my Ngee Ann Friends after the film screening session

For more information view
1) www.sinema.sg

Familiar Patterns of Story



While working on a script for WEYA 2012, I came across this website my friend recommended me to take a look for reference in crafting stories.

Tim Hull shares on his website how we can identify and create different familiar patterns of stories.
"The types of conflict that reside within a story carry with them a unique narrative code, much like the genetic code within DNA. And just as a different combination of certain genomes determines the eventual type of human they’re responsible for, the mixture of these dramatic narrative forces ultimately decides the personality of a story."



The 4 major situations of conflicts can occur is simplified on this diagram and it is outline by the dramatica theory of a story.A problem or any conflict can find itself in one of this boxes in this chart. A good writer uses the 4 important throughlines to successfully convey the entire scope of the overview of the story. Such details in stories include main character, influential characters, romantic stories and Overall Story, four throughlines and four general Areas of Conflict. Place a throughline in each area and the story will feel complete. Insert them in a similar pattern to other stories and the stories themselves will begin to feel strikingly familiar.


Where an Author ultimately decides to focus the conflict in their story determines the personality of that story. A popular combination, especially in Western culture, has the Main Character in a Problematic Situation, the Influence Character in Fixed Attitude, the Overall Story in Activity and the Relationship Story in a Thought Process. Why? Chances are the predominant gender behind most Western film (i.e., men) find it more comfortable placing a conflict they don’t quite understand (Thought Processes) in a throughline they generally don’t get (Relationships).

Personally I believe using similar concepts and theories in a story improves and enriches the contents and relevant themes found in a story. This makes it useful when doing stories in essays or in scripts.

Covering a Familiar Theory
This shows a good example of how we can use the matrix on the stories, essays or scripts we write.

Check this post out:
http://storyfanatic.com/articles/story-structure/familiar-patterns-of-story-structure

Sunday, December 11, 2011

SCYA/WEYA 2012

Sigapore Contemporary Youth Artists.
This is a very interesting website I have chanced across.
www.contemporaryart.sg

World Event Young Artists 2012 is happening at Nottingham in September 2012.
I will be willing to give this a shot and to see how it goes.
Submission Dateline: 20 January 2012

I will be trying out to do a film production.
I will possibly try penning poems too.
Anyone willing to support in anyway or wants to work with me can contact me at the following email address: carrotmoron93@hotmail.com

For now, its just risk everything or risk nothing.
5 Tests this week, may I survive.
Cheers,
Caleb